Serena's Magic
by Lwando Xaso
Beauty is fair, straight, refined, slight and dainty. Beauty is polite, non-threatening and amenable. What beauty is not, I am told, is me. This definition of beauty is manufactured ,parceled, sold and internalized by its victims. This message is commercialized for profit and by design it thrives on the destruction of women who are forced to chase a standard that is impossible to meet but will spend themselves to attain. For a time I chased it too not realizing that my autonomy and right to self- determination were under siege.
I used to stand in front of the mirror in judgement of my body. I stared back at myself and all the things I could never be and desperately wished I was because I imagined life would be easier. I am a black girl, a dark, tall black girl with a pronounced butt and hips which I have hated since their arrival 23 years ago.
The forces that want to pacify Black women by denying their beauty are threatened by the magic of a Black woman in full possession of herself. Serena Williams on the cover of Vanity Fair in all her Black, pregnant, naked glory is the epitome of magic.
A magic that has liberated legions of Black women. A magic that has called upon Black women to assume their rightful places at the center of the room with the spotlight shining from within rather than from above. It is a magic that neither seeks or needs permission to define itself for itself. It is a magic that has told us in unequivocal terms that we are enough. A magic that has told us that only we can own ourselves and no one else. It is a magic that is unapologetic for its presence and form. A magic that has demanded and dared us all to make an unconditional pact to love ourselves as we are at this very moment.
Lwando Xaso is an attorney fron Johannesburg, South Africa.
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